The Georgia Watercolor Society National Exhibition and Iain Stewart’s Workshop

www.kimminichiello.comYours Truly with Honorable Mention Award for Mayan Gate, Watercolor

I thought I would to a post following up on my trip to Atlanta.  I was there the beginning of the month to attend the Georgia Watercolor Society’s National Juried Exhibition Reception and to take a workshop with the juror, Iain Stewart.  The week was absolutely fantastic in so many ways.  First, I want to thank the Georgia Watercolor Society and all the volunteers and Iian, the show was so beautiful and well-balanced with a range of subject matter.  I was honored to be included with such a talented  group of artists. GWS is a top-notch organization between the members, the  exhibition, the workshop and the folks at the Ogelthorpe Museum of Art, I couldn’t have asked for a better experience.  The workshop was held where the show was so it was a treat to be surrounded by it and see all of the work the whole week!www.kimminichiello.com

The Ogelthorpe University Museum of Artwww.kimminichiello.comThe Gallery and Workshop Venue

One of the major high lights attending the shows is getting to meet the other artists.  The group I had the pleasure of being with all week during the workshop was so nice, gracious and a hoot!  We had a ball.  The other was receiving an Honorable Mention award!  To be singled out from a few hundred submissions to be in the show and then from around 90 works in the show from artists all over the United States, to receive an award was such an honor.  If you are interested in seeing the images from the show you can click here.  Another highlight was getting signature status with this great group, after having been in their national exhibition three times.

www.kimminichiello.com

Iain Stewart with Demo Painting Done During the GWS Reception and Award Ceremony

Last but not least, was getting to spend 5 days painting with Iain Stewart.  I wanted to take a workshop with Iain because I felt he was somewhat if a kindred spirit by doing watercolor sketchbooks especially during travels.  I have been doing the same since 2005 and it is purely the reason I am now painting in watercolor.  I fell in love with the media doing sketches while traveling and living in Hong Kong and Paris.  The other reason I was excited to take the workshops is because I have recently been doing more plein air painting, as a seeing and drawing practice to improve my studio work,  and for my own enjoyment.  My husband also plein air paints and it is something we really enjoy doing together.  I was struggling with not simplifying what was in front of me enough and now with Iain’s help, I feel I have a much better handle on it.

www.kimminichiello.com

Iian Demonstrating a Painting of Anstruther Scotland

I thought I would share a few of my observations from the workshop in case there are others who are interested in learning from Iain.  He also has a new series of DVD’s that were recently released, in case a workshop is to cost prohibitive.  However, I’m not sure Iain’s sense of humor will shine through on the DVD’s!  Yes, he is a hoot, and you will laugh and have a great time.  If you like taking workshops where the instructor is all business, doesn’t crack jokes and have fun, then this one may not be for you.

Whether you are, or are not a landscape painter you will learn.  If you are a landscape painter, after painting with Iian you will have many take-aways you can apply to your own work and style.  If you are not a landscape painter primarily, I feel the biggest takeaways will be to learn how to analyze your subject matter, edit and add to if needed to arrive at the best composition.  You will draw before you paint, using Iain’s photo reference as a guide.    If you are a watercolor artist  that only traces your images for your work and are lacking in drawing skills, you may feel a bit intimated.  On the other hand, more of a reason for you to take the workshop.  For a city scene, he does go over perspective.

www.kimminichiello.com

My Painting of Vanasque, Provence, France Done During the Workshop

www.kimminichiello.com

My Painting of Anstruther Scotland Done During the Workshop

Iain’s method is to finish a painting with 3-4 passes starting top to bottom with washes.  The first wash being the lightest, the following washes gradually getting darker in value, saving the lights from the first wash, and the last wash adds the darkest values and the details.  In my own plein air practice I’m eager to try this method and paint through my subject matter more, knowing the areas from the fist washes will get covered up with darker ones.  This will avoid painting “pieces”  and seeing the scene and painting it as a whole.

Iain’s a great guy and a very talented artist!  If he is coming to an area near you I would highly recommend taking his workshop!   You will have a great time and there are moments you just may laugh your **s off, but you will still learn a whole ***l of a lot!

#GeorgiaWatercolorSociety #IainStewart #IainStewartWorkshop #GWSNationalExhibition

www.kim minichiello.comLimited Edition Giclée Prints & Note Cards of my work available here.

 

Thanks for installing the Bottom of every post plugin by Corey Salzano. Contact me if you need custom WordPress plugins or website design.

9 thoughts on “The Georgia Watercolor Society National Exhibition and Iain Stewart’s Workshop

  1. What a great post – First – congratulations for not only getting an honorable mention, but for becoming a signature member – that is HUGE.
    Enjoyed reading about the workshop. I had never heard of him and I always love new discoveries. Thank you.

    • Hi Warren, to keep your watercolor paper flat for painting you can pre stretch on a board by soaking your paper first (in a bath tub) and stapling to a board. When it dries it will be tight as a drum and won’t buckle while painting. I personally don’t take the time to do this. I paint directly on the paper. The heavier the paper (300 lb.) the less or no buckling. If I paint on a lighter weight paper (140- 200lb) and I need to flatten it for framing. I lay the painting face down on a towel, spray the back with water, iron it on a cotton setting with my iron. If it still has some buckles then I will weight it down with something heavy and leave dry overnight. Hope this helps and I answered your question!

      • Thank you for that comment I am aware of the techniques mention except soaking. My question is, the paper is flat, now the painting is mounted in a frame, and over time, it bulk up

Leave a Reply to Warren Jackson Cancel reply

Your email address will not be published. Required fields are marked *