Good News!

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Lion Dance, Watercolor, framed size 43″ x 43″, 109 cm x 109 cm, $6700.00

It has been a great week for good news!  Lion Dance has been accepted into the Southern Watercolor Society’s Annual Exhibition which will be at the Customs House Museum in Clarksville, TN. May 8-July 5. Thank you to juror Kathleen Conover for adding this piece to the show!

Mayan Gate_Kim Minichiello.com

Mayan Gate, Watercolor, 14.5″ x 21.5″, 37 cm x 54.5 cm, $1300

Also got word this week that Mayan Gate was accepted by juror Iain Stewart, for the 2015 Georgia Watercolor Society National Exhibition. This will be my third year (in a row) in a GWS National Exhibition, which means I will be a Signature Member. Woo Hoo! Show will be at the Ogelthorpe University Museum of Art, Atlanta, GA, March 14-April 26. I’m very honored to be in the show, and to be a Signature Member with GWS!

On an artists note, I just wanted to mention once again, if you enter competitions or have an interest to, keep trying!  Lion Dance was passed over a few times, to finally land a spot in a show.  It’s never a good idea to try to second guess the taste or preference of the judge because you just never know.  It is a good idea to submit the best work that you have in your inventory at the time.  Make sure you read the prospectus carefully for size restrictions, and other criteria for EACH show.  They vary from show to show.  Keep those brushes wet and good luck!

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Limited Edition Giclée Prints & Note Cards of my work available here.

Day 4 of the Facebook Three Paintings in Five Days Challenge

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Odd Man Out, Watercolor, 20.5″ x 40″, 52 cm x 101.5 cm

Painting is framed and available for purchase, please contact me.

DAY 4 of the Three Paintings in Five Days Facebook Challenge…More Asian inspired works from my time traveling there. “Odd Man Out.” was recently judged by an artist I greatly admire, Thomas Schaller, for the Kansas Watercolor Society Exhibition. Thank you Thomas! It evolved from a plein air sketch I did on Peel Street in Hong Kong. I love this painting because it takes me right back to the memory of doing the sketch.  I did a blog post about it here.

 www.kimminichiello.comLotus Nocturne, Watercolor, 39″ x 18.5″, 47 cm x 99 cm

Painting is framed and available for purchase, please contact me.

I adore the Lotus plant which I saw all over Thailand, Japan, and China. “Lotus Nocturne” is a self-reflective painting for me. From a previous post here, you can read about the symbology of this beautiful plant.

 www.kimminichiello.comKyoto Tanuki,  Watercolor, 8″ x 10″, 20 cm x 25.5 cm

Painting is framed and available for purchase, please contact me.

I had to paint the “Kyoto Tanuki” seen all over Japan because he is so darn cute and mischievous. You can read about the symbology of the Tanuki on from a previous post here.

www.kimminichiello.comLimited Edition Giclée Prints & Note Cards of my work available here.

Day 3 of the Three Paintings in Five Days Facebook Challenge

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Pak Tai Guardian, Watercolor, 22″ x 30″, 57 cm x 76 cm, $3200 Framed, Available for purchase please contact me.

DAY 3 of three paintings in five days Facebook challenge… When I lived in Hong Kong one of my favorite things to do was visit and sketch at the myriad of temples. The two dragon paintings evolved from sketches I did at the Pak Tai Temple in the Wan Chai district. One was my first try, and acceptance into a major exhibition, The Florida Watercolor Society. Thanks to juror,  Nicholas Simmons for choosing it!
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Pak Tai Guardian Lion, Watercolor, 22″ x 30″, 57 cm x 76 cm, $3200 Framed, Available for purchase please contact me.

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Lion Dance, Watercolor, 36″ x 36″, 91.5 c x 91.5 cm, $6700 Framed, Available for purchase please contact me.

Since we moved to Hong Kong during Chinese New Year, I wanted to commemorate that time with “Lion Dance”. It’s my largest painting 36” sq. and I wanted to capture the excitement of the acrobatic dance with a colorful, “in your face,” statement!

The Facebook Three Paintings in Five Day Challenge, Day One

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Peel Street Guardian, Oil on Panel, 11″ x 14″, 28 cm x 35.5 cm, Collection of the Artist

If your are not Facebook friends with a lot of artists, you may not know of the Three Paintings in Five Day Challenge that has been taking place since the first of the year.  It’s amazing how an idea can become viral, but on the plus side it has been wonderful to see so much art from artist friends flooding the ethers.

The idea is to post  three of your own paintings in five days and then challenge an artist to do the same on each of the five days.  Then they do the same challenging other artists and so on and so on.  I’ll be curious to see how long these continue in my News Feed!

I was nominated by good friend and wonderful watercolor painter Carrie Waller, if you haven’t seen her work you must.  I finished the challenge last week but for those of you whom I am not friends with on Facebook, I thought I would post here on the blog what I did on Facebook.

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Joss Sticks, Oil on Panel, 11″ x 14″, 28 cm x 35.5 cm, Collection of the Artist

Day One…

I’m starting out with a few oils. These were inspired by my time living in Hong Kong. The two temple paintings have actual worshipping papers in the background. The market painting is of one of my favorite vendors in the wet market in SoHo, a mother and daughter that sold only bananas and peanuts. I challenged all my Florida Watercolor Society friends who hadn’t been challenged yet.

www.kimminichiello.comBanana and Peanut Vendor, 12″ x 9″, 30.5 cm x 23 cm, Collection of the Artist

 

Odd Man Out Accepted to The Kansas Watercolor Society National Exhibition

www.KimMinichiello.comOdd Man Out, Watercolor, 20.5″ x 40″ , 52 cm x 101.5 cm, $4200

My painting Odd Man Out has been selected for the 2014 Kansas Watercolor Society’s National Exhibition at The Wichita Center For The Arts.  I’m so honored to be in this show. Thank you to juror Thomas Schaller, whose work I greatly admire, for choosing this piece.

I have such a connection to this painting inspired by a plein air sketch I did on Peel Street in Hong Kong.  Some of my happiest moments were sketching, painting and exploring that city and for me it’s even more poignant that this piece was chosen for this show with all the political unrest that’s happening in Hong Kong right now.

For all my artists friends out there who enter competitive shows, DON’T GIVE UP! The selection process for any show can be very selective and can be greatly influenced by the taste of the judge.  This painting has been rejected from two regional shows, only to be accepted into this national show!  A painting isn’t bad, or you are not a terrible artist because a work is declined for a show.  I look at it as a golden opportunity for it to be available somewhere else.  If this painting had been juried into a current regional show, I would not have been able to enter it for the Kansas show!

Accepted into the 35th National Georgia Watercolor Society Exhibition

www.kimminichiello.comWaiting In the Wings, Watercolor on Archival Paper, 17″ x 13″

Available during the 35th National Georgia Watercolor Society Exhibition, Carrollton Cultural Arts Center, Carrollton GA

March 7-April 24

I’m thrilled, my painting Waiting in the Wings was chosen for the 35th National Georgia Watercolor Society’s Exhibition!  This is my second year in the show.  Last year my painting Hong Kong Happy Hour was chosen.  It’s always a great honor for me to be juried into shows, and to have my work included with some of the most talented watercolorists in the nation for national shows and from all over the world for international shows.

If you enter a few shows a year which  I do, the logistics of keeping track of it all can be tricky!  Some show dates conflict with each other.   Therefore a careful review of your inventory is necessary to decide which paintings will be submitted where.  Some will accept three paintings for the judge to see, some accept two, and some only accept one.  But usually only one painting  is juried into the show.  Many shows are going on at the same time, therefore if you submit three paintings for one judge to review for a particular show, those can not be submitted for other shows because any one of the three could be chosen and you don’t know which one it will be!

You always want to submit your best work, but usually out of the two or three you submit, you have a personal favorite that you feel is the strongest.  But, your favorite may not be the favorite of the judge, and he or she will choose their preference!  Judges are different from show to show.  Therefore, if a piece is rejected one year, from one organization, doesn’t mean it will be another time from a different judge!

If you are interested in submitting work to juried shows, keep your brushes moving so that you have a good inventory to choose from.  Only submit you strongest work that you are most proud of.  Keep careful records so that you don’t submit the same painting that may be tied up in another show, sold, or not be shipped back to you in time for the other deadline.  Most of all don’t give up!!! Rejection is all part of the process which doesn’t mean you are a bad painter or your work is bad either.  The way I look at rejection from shows is, the judge’s taste just didn’t lean toward my work, and now I have a painting that is available as consideration for another show, where the judge’s taste might lean in my direction!

 

Happy Chinese New Year… Year of the Horse

www.kimminichiello.comLion Dance, Watercolor on Archival Paper, 36″ x 36″

After living in Hong Kong, I’m always aware of the Chinese New Year!  So, Happy New Year… Year of the Horse!  I lived there during two Chinese New Years and they were my favorite holidays observed there.  Based on the lunar calendar, the fifteen day celebration started yesterday and ushers out the year of the water snake and in the year of the wooden horse.  Feng shui masters say the year of the horse may be tough for any negotiating because people stand firm in their beliefs and convictions. If this is true, I guess Congress won’t be getting much work done this year either!

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Reward, Watercolor on Archival Paper, 6″ x 6″

Original painting available for purchase here.

Limited Edition Giclée Print & Note Cards available for purchase here.

The decorations are spectacular,  we always had the most beautiful pink flowering plum trees in the lobby of our apartment building. Flowers are an important part of the New Year Celebration.  Plum blossoms symbolize courage and hope, narcissus, good luck and fortune, and tangerines and oranges are displayed as a sign of wealth and luck.  Flowering plum and mandarin trees adorn many homes, businesses and temples throughout Hong Kong.

Everyone is the the holiday spirit similar to the Christmas spirit here.  The celebration lasts for many days and has different phases, where different customs are observed.   One is the ever popular Lie See envelopes.  These small red envelopes you tuck money inside are adorned with symbols for good fortune and luck, and sometimes have cartoon characters because it is a tradition to give them to children.   Work colleagues or people in business relationships give them to each other too.  As is the custom, to not forget all the service people that help you throughout the year.

The parades, Lion Dance and acrobatic performances and fireworks are spectacular, and are not to be missed!  All around a beautiful, festive, fun time of year.

Kim MinichielloLimited Edition Giclée Prints & Note Cards of my work available here.

Peel Street Guardian

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 Oil on Panel with Worshipping Papers,  9″ x 12″, Collection of Artist

On the South end of Peel Street, in Hong Kong,  is a tiny temple I would pass by on my way to Central when I walked from our apartment in the mid levels.  This little guardian lion was always covered in ashes from the joss sticks lit for offerings and prayers.   Since I passed by often I wanted to create a painting that would remind me, and be a momento of my daily life there.  To add interest I used Chinese worshipping papers in the upper left corner.

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20% of all sales this month go toward the relief effort for Typhoon Haiyan in the Philippines.

Work in Progress of Odd Man Out

Kim MinichielloOriginal Plein Air Watercolor  Sketch, Peel Street Hong Kong

Today I thought I would share some work in progress photos of my painting Odd Man Out.  I developed this large painting from a watercolor sketch I did plein air on Peel Street in Hong Kong, and photos that I took the day I did the sketch.  I took the photo after I did the watercolor sketch and the lighting had changed dramatically. The  hot  noon-day sun was shining through the lanterns onto the sign for the shop, popping the color and making the lanterns glow, as well as creating some interesting lighting on the sign.

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In the larger painting, 40” x 20.5,”  I wanted to capture the light hitting the lanterns making them glow.  I wanted to represent the washed out feeling of the sign behind, with the bright sunlight shining on it, which made the lanterns stand out more.   All of this was juxtaposed against the cool gray concrete textural facade of the actual building, creating a play of warm against cool.  Most all facades in the market streets of Hong Kong have the ubiquitous wires, tarps, pipes, grunge, and a variety of elements kluged together, for displays,  to hold up awnings and signs, etc.  I wanted to include some of those elements in the painting as well.

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The sketch shows two lanterns with faces. But, I had the idea for the title of the painting, Odd Man Out,  which made sense to use only one “face lantern.”  Then after painting the Chinese Goddess figure, in the lowest purple lantern in the composition, I thought it would be fun to have the lantern with the face gazing down at her.  Also, putting it where it had been in the sketch would have been too much contrast, and would have called too much attention to the very bottom of the painting.  I  also took some liberties with the placement and colors of the lanterns to make the composition more interesting.  I don’t work directly from the photograph but use it as a guide.  Photos don’t always present us with the best design for a painting.  Plus, a major enjoyment for me while I paint is to recall the place and the memories of being there.  If I’m so focused on a photograph, I tend to miss that opportunity.

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The completed painting on the easel gives you an idea of the scale.  I really enjoy working larger in watercolor!

www.kimminichiello.com www.kimminichiello.comOdd Man Out, Watercolor, 40″ x 20.5″

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Limited Edition Prints & Note cards available here.

20% of all sales this month go toward the relief effort for Typhoon Haiyan in the Philippines.

Peel Street Lanterns, Hong Kong or Odd Man Out

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 Odd Man Out, Watercolor on Archival Paper, 20.5″ x 40″,  52 cm x 101.5 cm

I have finished this new large painting, 20.5” x 40”,  I have been working on  inspired by the  lanterns outside a funerary shop on Peel Street in Hong Kong.  I posted a few months ago the sketch that I did, plein air, sitting in the alley across from the shop. I have always wanted to do the lanterns in a large painting.  I really enjoyed working on this. It brought back so many  memories of the day I sat  in the alley doing the sketch listening to the Chinese opera music coming from the shop I was  in front of, and smelling all the exotic smells from the food being prepared in the neighboring dai pai dongs and the incense from the shops.

I wanted to convey in the larger painting  the delicate,  colorful, light struck lanterns floating in the gentle breeze juxtaposed against the cool, textural concrete building, they were hanging in front of.  I used some textural techniques in watercolor to imply the rough, dingy facade of the Hong Kong architecture. The bright yellow sign is typical for many shops in Hong Kong and I love how the shape and value of it, being washed out by the bright sunlight, adds another level of interest to the painting.  Do you like how the Odd Man Out,  has eyes on the Chinese goddess on the lantern below him?  🙂