Acceptance into the 44th Annual Juried International Louisiana Watercolor Society Exhibition

Mayan GateMayan Gate, Watercolor on Archival Paper,  21.5″ x 14.5″

I’m thrilled and honored to share that Mayan Gate has been chosen to be in the 44th Annual International Louisiana Watercolor Society Exhibition.  This one is very special because I am a huge fan of juror, Anne Abgott.  Thanks Anne!

The show will be at the Garden District Gallery in New Orleans, Louisiana from  May 2-May 25, 2014.  I’m hoping my schedule will allow me to go see the show.  I am embarrassed to  say I have never been to New Orleans.  I think this is the perfect excuse to go!

 

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Acceptance into the Annual Central Florida Watercolor Exhibition

www.kimminichiello.comBirds’ Eye View, Watercolor on Archival Paper, 30″ x 11.5″, will be available for purchase during the exhibition

I’m feeling honored and blessed to be able to do what I love to do and it’s just icing on the cake when my work is recognized by jurors to be included into exhibitions with other talented artists.  Found out this weekend that my painting Bird’s Eye View which is the header for my blog and Facebook page, was selected by juror Karlyn Holman for the Annual Central Florida Watercolor Society Exhibition.  Karlyn is a nationally recognized watercolor artist, teacher and author. If you are in the central Florida area, the exhibition will be at the Sanford Welcome Center, Sanford, Florida, March 28-April 22.

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Limited Edition Giclée Prints & Note Cards of my work available here.

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Accepted into the 35th National Georgia Watercolor Society Exhibition

www.kimminichiello.comWaiting In the Wings, Watercolor on Archival Paper, 17″ x 13″

Available during the 35th National Georgia Watercolor Society Exhibition, Carrollton Cultural Arts Center, Carrollton GA

March 7-April 24

I’m thrilled, my painting Waiting in the Wings was chosen for the 35th National Georgia Watercolor Society’s Exhibition!  This is my second year in the show.  Last year my painting Hong Kong Happy Hour was chosen.  It’s always a great honor for me to be juried into shows, and to have my work included with some of the most talented watercolorists in the nation for national shows and from all over the world for international shows.

If you enter a few shows a year which  I do, the logistics of keeping track of it all can be tricky!  Some show dates conflict with each other.   Therefore a careful review of your inventory is necessary to decide which paintings will be submitted where.  Some will accept three paintings for the judge to see, some accept two, and some only accept one.  But usually only one painting  is juried into the show.  Many shows are going on at the same time, therefore if you submit three paintings for one judge to review for a particular show, those can not be submitted for other shows because any one of the three could be chosen and you don’t know which one it will be!

You always want to submit your best work, but usually out of the two or three you submit, you have a personal favorite that you feel is the strongest.  But, your favorite may not be the favorite of the judge, and he or she will choose their preference!  Judges are different from show to show.  Therefore, if a piece is rejected one year, from one organization, doesn’t mean it will be another time from a different judge!

If you are interested in submitting work to juried shows, keep your brushes moving so that you have a good inventory to choose from.  Only submit you strongest work that you are most proud of.  Keep careful records so that you don’t submit the same painting that may be tied up in another show, sold, or not be shipped back to you in time for the other deadline.  Most of all don’t give up!!! Rejection is all part of the process which doesn’t mean you are a bad painter or your work is bad either.  The way I look at rejection from shows is, the judge’s taste just didn’t lean toward my work, and now I have a painting that is available as consideration for another show, where the judge’s taste might lean in my direction!

 

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Mayan Gate is in the Florida Watercolor Society’s 2014 On Line Show

www.kimminichiello.comMayan Gate, Watercolor on Archival Paper, 14.5″ x 21.5″

Mayan Gate has been accepted into the Florida Watercolor Society’s 2014 On Line Show! Thanks to juror M.E. Mike Bailey and many congratulations to all my fellow Florida artists!!! Feeling honored, 35 were chosen from 243 entries.  Click here to see the show.

 

 

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Today is for The Birds and Good Fortune

Nest by Julie Ford OliverNest & Feather, oil, 6 x 6, by Julie Ford Oliver

photo via Julie’s blog

I have been an admirer of fellow artist Julie Ford Oliver’s work for a while now.  Although we have never met in person, we are friends in the blog-o-sphere and on Facebook.  Recently she had a giveaway on her blog for one of her small original oils of a beautiful bird’s nest and feather.  Last year she had show featuring many wonderful  works in oils and watercolor with a birds nest theme. I wish I could have seen it in person.  Although, I didn’t win the original painting, I found out today that I did win a giclée print!  I’m so thrilled and can’t wait to receive it.

 

www.kimminichiello.comOwl in my neighbor’s tree

I had a giveaway in December to thank all of my email and newsletter subscribers,  for any giclée print on my web site.  The winner for my giveaway happened to be one of my neighbors.  As I was delivering her print today, I heard the family of owls, living in my neighborhood,  communicating with each other. I usually only hear them at night.  The owl happened to be in the tree directly above where I was walking.  It is always a treat to see these beautiful creatures, especially in the day time!

So today seems to be about good fortune, birds and giclée prints.  The start of the new year has brought me many good fortunes so far. Right after the new year, I found out that two of my paintings, Lotus Nocturne and Bananas on Japanese Box had been juried in to the Third Annual Women Painters of the Southeast Exhibition. Last week, I was the lucky recipient of a drawing for a demo painting from friend and  Florida artist Dana Daydodge, at the Central Florida Watercolor Society meeting.  A day later I got an e-mail that I had won a free chair massage at our local Whole Foods!  Hmmmmm maybe I should go buy a lottery ticket!

 

 

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A Good Way to Start the New Year!

www.kimminichiello.comLotus Nocturne 39″ x 18.5″, Watercolor on Archival Paper

Happy New Year Everyone! As I look back on the year I’m so thankful I get to do what I love to do, paint and create a bit of beauty in the world!  I’ve been thinking about some goals for the year, a new series of paintings I’d like to do.  I am also planning on teaching workshops which I’m very excited about!  What are your art goals for the year?  If you would like, please share with a comment.

I started off the year with some great news!  Two of my paintings, Lotus Nocturne and Bananas on Japanese Box,  have been juried in to the 2nd Annual Women Painters of the Southeast Exhibition.  This years show will be  at the Magnolia Gallery in Greensboro Georgia,  March 28-April 18.

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Bananas on Japanese Box, 10″ x 12″, Watercolor on Archival Paper

Kim Minichiello

Limited Edition Prints & Note cards available here.

 

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The Ringling Museums, Sarasota, Florida

www.kimminichiello.comEntrance to Cá d’Zan, Ringling Mansion

Before many board games, television, computers, video and computer games, cell phones, and movie theaters, the only major form of entertainment for many communities was the circus. It was a very big deal when the circus came to town by train.  They set up and performed sometimes only one show in smaller communities before they were on to the next destination.  Towns declared the day circus came to town a holiday which meant no school for the children and no work for the adults so that everyone could attend the show.

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 Living Room Ringling Mansion

At one time in the United States, there were one hundred companies that owned circuses that traveled all over the country.  Just like today in the age of mergers and acquisitions, smaller outfits were bought out by bigger more successful circuses.  One of the most successful was the Ringling Brothers Circus which eventually purchased the Barnum and Bailey circus in 1907. At first they operated and traveled as two separate circuses but when the business become too much for John & Charles Ringling to handle after three of his other  brothers were no longer involved with the family business, the names and the shows were combined into one, The Ringling Brothers Barnum & Bailey Circus in 1919.   John’s dream of performing in Madison Square Garden in New York was finally fulfilled.  Previously only the Barnum circus performed there.

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 Dining Room, Ringling Mansion

In the early twenties John Ringling purchased 67,000 acres of land in Sarasota and Long Boat Key, Florida.  At the time, John was said to have been one of the wealthiest men in the United States.  In 1927 he moved the winter quarters of the circus to Sarasota, attracting famous circus performers from all over the world and Sarasota became known as Circus City USA.  By 1929 Ringling had acquired and owned all of the traveling circuses in the United States including Buffalo Bill’s Wild West Show.

John and his wife Mabel loved Sarasota so much they built their winter home there on the Gulf of Mexico.  The home named Cá d’ Zan (House of John in the Venetian Dialect” ) is in the Mediterranean Revival style and was inspired by the architectural styles of Mabel’s favorite Venetian hotels.

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The Rubens Hall, Ringling Museum of Art

Avid collectors of art from the 1920’s to the early 30’s, they amassed a collection of over 600 paintings, sculptures, and decorative objects,  from the 14th through the 18th centuries, works by Rubens, Van Dyk, Titian, and others.  Their dream was to build an art museum on the property with the home to preserve and house their extensive art collection.  Work began in the 1920’s on this incredible complex built in the Italian renaissance style.  To save on labor John hired many circus employees and used the elephants to move heavy construction materials in place. A new wing was constructed a few years ago to house, a number of temporary shows and exhibitions.

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The Loggia Ringling Art Museum

Unfortunately after the great depression, and into the 40’s, the circus business started to dry up and other forms of entertainment started to captivate audiences. When John Ringling died at age 70 in 1936, he only had a few hundred dollars in his bank account. However, he bequeathed many of his assets including his home and art museum to the state of Florida.

If you visit there is much to see and do. You could easily spend two full days. On the property you can tour John and Mabel’s mansion, Cá d’ Zan which is situated on the Gulf. There are two Circus Museum buildings. The original built in 1948, houses the private  Pullman rail car that John and Mabel traveled in with the circus, vintage circus wagons and an interesting exhibit on when Cecil B. DeMille filmed the Oscar Award winning movie The Greatest Show on Earth in Sarasota.

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Detail,Under the Big Top, Worlds Largest Circus Model

The other Circus Museum, The Tibbals Learning Center opened in 2006.  The highlight  in this facility is the world’s largest miniature circus model, which was constructed by Howard Tibbals, also the benefactor of this museum.  He constructed the entire model in a 50 year span.  This model is absolutely mind boggling in two aspects.  One, the model itself is a work of art.  Every little detail is conveyed from the circus arriving on the train, the big top, side show and menagerie upon entering the main tent, plus all the backstage supporting elements: commissary, living quarters, quarters for all the animals, repair and machine shops, etc.    Secondly, it conveys in no other way unless you had been there, the logistics, and all the elements, and inner workings of this huge entertainment venue.

In addition to the mansion, art museum and two circus museums,  is the Asolo Theatre, which is an actual 18th century theatre purchased from Asolo, Italy and reassembled on the Ringling grounds.  It is the only state theatre in Florida and features performances by the Asolo Theater Repertory Company.

The Ringling Museums are a true treasure in the state of Florida and definitely worth a visit!

 

 

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Two Great Events Last Week

127 SoBo Rhonda Walsingham

 127 SoBo photo by Rhonda Walsingham

What a busy and amazing week!  I was honored to have a painting in included in the inaugural exhibition Artists on Fire at 127 SoBo, the new Winter Garden Arts Association.  Many thanks to Mary Keating and all the other  Board Members and folks who have made this place a reality.   I can’t wait to see and be a part of how it will grow and evolve!  Click here to see Rhonda Walsingham’s photos of the opening night.

Fire Performer by Rhonda WalsinghamFire Performer at Opening Night photo by Rhonda Walsingham

Last Saturday was the show for our friend Dan Colonna who is beating a rare form of brain cancer.  Thanks again to all the folks at Walt Disney Imagineering who put together this great show for Dan. And, also many thanks to 127 SoBo for being the host for the event.    It was so well organized, there was a huge turn out with so many generous people helping Dan and his family!

For Dan

 Get Things Started.. For Dan

Artists on Fire will be up at the gallery until the end of November.  Dan Colonna is the featured artist!  Stop by and see his and many other artist’s work and support this new art venture in our community!

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Artists on Fire Exhibition, 127 SoBo, Winter Garden Florida

www.kimminichiello.comChinese Puppets are Waiting in the Wings, Watercolor on Archival Paper

I am very excited that my local community of Winter Garden Florida is establishing an art  association in the old fire station in historic downtown Winter Garden.  This painting, Waiting in the Wings, will be on exhibit and for sale in their inaugural exhibition, “Artists on Fire,”  which will run from November 7-November 30.  Opening reception will be Thursday, November 7, tonight,  from 7:00 to 9:00 pm. The address is 127 South Boyd, or now referred to as 127 SoBo. The sale of all the art will go toward, this wonderful new, non- profit art organization that is going to be such an asset to local artists and the community!    Hope to see you there!!

This is huge for artists on the west side of Orlando.  Most art centers, life drawing opportunities, classes, galleries, and art happenings are  downtown or on the east side of town.   I hope to do workshops, participate in shows,  and volunteer for a wide variety of art events.   If you are a local artist please support this wonderful new venture in downtown Winter Garden!

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John Singer Sargent Watercolors at the Museum of Fine Art, Boston

www.kimminichiello.com

From 1902 to 1911 John Singer Sargent painted a significant collection of watercolor paintings traveling to varied destinations with friends and family painting plein air.   He was getting tired of the rigors of his large commissioned portrait work and he saw these travels as a chance to get away and paint purely for himself and for the enjoyment of painting. He did paint oils on these journeys, however, his medium of choice was watercolor. He never intended to sell or exhibit these works.  However, Edward Darley Boit, kept convincing him otherwise, he finally relented under the condition that they not be sold piece meal and he would prefer that the whole collection be purchased by an Eastern Museum or collector.  Boit and Sargent had a long friendship and it is Sargent’s portrait of his daughters, The Daughters of Edward Darly Boit, at the MFA Boston, that was one of his major triumphs.  Boit, an accomplished watercolorist as well, had the idea for a combined showing of both of their works, and in 1909 the show opened at the Knoedler & Company Gallery in New York.

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Villa di Marlia, Lucca: A Fountain

The Brooklyn Museum wasted no time to purchase the entire collection from the exhibit. The Boston Museum of Fine Art was a day late and a dollar short when they realized all the paintings had been purchased by Brooklyn.  They put dibs on all of the paintings he would create three years after for the second exhibition site unseen.  Therefore, these two institutions own the largest collection of his watercolor works and they organized an exhibition that started at the Brooklyn Museum last summer and is currently in Boston until January 20, 2014.

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A Tramp

Living and traveling in Europe for a number of years, I have had the fortunate opportunity to see some amazing painting exhibitions.  This one ranks up there as one of the best.  The show was extremely well curated with works grouped by the different regions where he traveled and painted, Venice, the Middle East, the Swiss Alps, Italy, Portugal and Greece, with a combination of landscapes and intimate portraits of friends, family and people of these regions. Landscapes tended to be more intimate and focused on less traditional view points and more on details instead of broad sweeping vistas.

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Simplon Pass: Crags

He had complete command of this medium but one gets the sense that he his painting in watercolor like one would in oils with broad sweeping brush stokes, in a loose quick style, still preserving the whites of the paper for highlights, or using wax as one would masking fluid to preserve areas of lighter color before laying down darker washes. He also utilized quite al lot of gauche or body color mixing it with the transparent watercolor, and even laying it on in a think impasto style for highlights and texture. I also love the fact that most all of the works have visible pencil lines that you could study and see his drawing underneath and sometimes on top of the paint. His draftsmanship was more evident in the architectural works of Venice.

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White Ships

I saw the exhibit twice on two consecutive days. The first day taking it all in, studying the paintings up close to analyze his various techniques. The second day I studied them more at a distance and was amazed at the glow, luminosity, how truly Impressionistic they were with his loose washes and painterly style.

Kim Minichiello

The Cashmere Shawl 

Robert Genn, of the Painters Keys, once wrote a letter about the Stendahl Syndrome.  Link to his article here.  It is the condition of being extremely overwhelmed by the beauty of art or nature.  I can honestly say I felt it at this exhibition.  I had a hard time walking out the exit, and feel honored and grateful to have experienced this master’s work in watercolor.

 

P.S. On a sad note… Robert Genn who is such an inspiration to many artists with his Twice Weekly Letters, and founder of the Painter’s Keys web site.  Sent a letter out last week titled “The Bomb.”  He revealed he has been diagnosed with pancreatic cancer.  Even revealing this news, he is uplifting and inspirational.  My thoughts and prayers are with him and his family.

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